About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.






Exhibitions

Tickets

Join us for Wednesdays@BGC!

More

Gallery Hours

BGC Gallery is currently closed.

More

The Bard Graduate Center Gallery produces multiple exhibitions and publications each year, serving as a vital center of learning and a catalyst for engagement in the interrelated disciplines of decorative arts, design, and material culture. The gallery is celebrated in the museum world for its longstanding legacy of landmark projects dedicated to significant—yet often understudied—figures and movements in the history of decorative arts and design; these exhibitions and publications typically represent the definitive intervention on the artists and objects they investigate. BGC Gallery is also committed to generating and supporting a vast range of diverse presentations, small and large, that challenge traditional approaches to object inquiry; these examinations of material culture explore the human experience as manifest in our creation and use of “things” of all kinds. Whether originating in internal research and expertise, or in collaboration with external subject specialists, these endeavors prioritize rigorous scholarship while seeking to adhere to the field’s highest standards in production and design.



1 of 3

Unknown maker, Haida
Wood, paint, metal
Likely collected by John Brady
Donated by Mrs. E. H. Harriman in 1912
American Museum of Natural History 16.1/1164


House models are known to have been made as ethnographic museum displays as well as for Native ceremonial use. The façade painting on this house may depict Wasgo, the mythical Haida sea wolf (seen also on the model pole and drawing). The frontal pole represents, from bottom up: a bear and human; a female shark; a bird (possibly an eagle); and a chief with coppers. The interior contains a ritual tableau of twenty-one miniature people, including a chief on the far left, women with painted lip-plugs, and an official speaker with a hand held to the mouth. Although little is known about the circumstance of its production, this house was likely implicated in networks of intercultural exchange. Despite the possibility of specific architectural or ritual prototypes, it was not common for Haida houses to have painted façades, much less roofs and backs. The presence of decoration both genuine and spurious suggests that this model may have been produced—or at least subsequently embellished—in order to appeal to Euro-American collectors rather than to embody a transfer of specific hereditary prerogatives.


Click here for a discussion about this object (Beau Dick)

Click here for a discussion about this object (Lyle Wilson)

Tags for Interactive Tag Cloud: hybridity, models, souvenir