About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





Exhibitions

Tickets

Join us for Wednesdays@BGC!

More

Gallery Hours

BGC Gallery reopens this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.

More

The Bard Graduate Center Gallery produces multiple exhibitions and publications each year, serving as a vital center of learning and a catalyst for engagement in the interrelated disciplines of decorative arts, design, and material culture. The gallery is celebrated in the museum world for its longstanding legacy of landmark projects dedicated to significant—yet often understudied—figures and movements in the history of decorative arts and design; these exhibitions and publications typically represent the definitive intervention on the artists and objects they investigate. BGC Gallery is also committed to generating and supporting a vast range of diverse presentations, small and large, that challenge traditional approaches to object inquiry; these examinations of material culture explore the human experience as manifest in our creation and use of “things” of all kinds. Whether originating in internal research and expertise, or in collaboration with external subject specialists, these endeavors prioritize rigorous scholarship while seeking to adhere to the field’s highest standards in production and design.




Unknown maker, Haida (?)
Wood, paint
Collected by Samuel Kirschberg in 1896
American Museum of Natural History 16/1133

This hardwood carving, attributed to the Haida by its collector, features a mermaid holding what might be coconuts. Although it is unclear when this particular piece was made, or by whom, mermaids were popular subjects for scrimshaw and wood carving among sailors in the nineteenth century. The mermaid was also a popular figurehead design that might have been a familiar sight to Natives on the coast. Although indigenous carvers were capable of highly naturalistic depiction and may have simply copied the novel form of the mermaid, this figure was probably whittled by a sailor and subsequently traded to a coastal Native, perhaps in exchange for a memento with which to remember his exotic travels. Regardless of the maker’s identity, its Haida owner may have perceived iconographic or narrative parallels to their own mythological figures that combine human and animal attributes. The carving’s presence in the museum collection reflects a shared visual culture and the extent of exchange between Northwest Coast inhabitants and Euro- American sailors.


Tags for Interactive Tag Cloud: non-canonical, ship imagery, souvenir, transformation