The Culture of Craft in the Era of the Kunstkammer
This seminar will explore elite craft
production in the urban centers of sixteenthcentury northern Europe. It focuses on the
years roughly between 1540 and 1620, a
unique and relatively brief historical moment
of exceptional creativity, when the interests
of a class of urban craftsmen—educated,
socially ambitious, and intellectually
curious—met the tastes, interests, and
collecting habits of courtly patrons that
coalesced around the emergent concept of
the Kunst-und-Wunderkammer (“the cabinet
of art and wonder”). This new idea of
collecting the combined rarities of art and of
nature emerged in the 1550s and gathered
European–wide momentum over the next
half century. Indeed, courtly demand
provided an important channel for an
outpouring of creative ideas from the urban
centers in ways that were to significantly
influence the nature and direction of
European culture. For this moment was also
a period of what one might call a “theoretical
turn” among the craftsmen and artists: when
more craftsmen than ever aspired to print
instructional handbooks, when the writings
of Vitruvius and Euclid first appeared in the
vernacular, and increasingly, knowledge of
the Liberal Arts, particularly mathematics
and geometry, classical history, poetry and
literature, as well as new understandings of
nature, became central preoccupations that
self-consciously informed their creations.
These talented craftsmen were stimulated to
explore new areas of activity and keen to
raise themselves socially and professionally
by associating themselves and their
inventions with the tastes and interests of
the courts. The process went both ways. The
close involvement of rulers such as the
Elector of Saxony and the emperor Rudolf II
with their craftsmen demonstrates a shared
base of humanist learning and a
commonality of intellectual and practical
interests that allowed the practical,
artisanal knowledge of the workshop to enter
the province of princely interest and
education. An important cultural
consequence of this process was a gradual
reevaluation of the status of craft from an
index of luxury or status to one of knowledge
and learning. Students will be encouraged to
explore this culture of curiosity and wonder
through individual presentations and an
extended research paper. 3 credits. Satisfies
the chronological requirement.