In Focus: Revisions—Art, Materiality, and Continuity in Fluxus (1960s-70s)
This course interrogates the materiality of artworks and artifacts created in
the spirit of Fluxus and other avant-garde aesthetic movements of the1960s and
70s, with a special emphasis on Nam June Paik’s first Fluxfilm, Zen for Film
(1962-64). Participants will engage with the planning and development of the
upcoming Focus Gallery exhibition and its digital components. Among the
questions asked will be how the knowledge about materiality redefines visual
knowledge; how change affects what the artwork is; and how ideas of
appropriation, replication and re-enactment pose alternative ways of thinking about
the continuing life of artworks. We will examine the ways in which the archive
(as a conceptual space and a place of consignation), document, and trace
partake in the life of the artwork from an array of perspectives. We will seek
to identify the conditions that affected the curatorial, presentation and
conservation cultures, leading to the emergence of a multifold character of the
artwork, evident in its many manifestations. While largely practically
oriented, this course combines methods of art history, material culture
studies, philosophy, and the theory and practice of conservation. Participation
in the previous courses, particularly “Beyond the Object Principle” (Spring
2014) is welcomed, yet not obligatory. 3 credits.