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BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

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28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
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BGC Gallery reopens this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.

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The Bard Graduate Center Gallery produces multiple exhibitions and publications each year, serving as a vital center of learning and a catalyst for engagement in the interrelated disciplines of decorative arts, design, and material culture. The gallery is celebrated in the museum world for its longstanding legacy of landmark projects dedicated to significant—yet often understudied—figures and movements in the history of decorative arts and design; these exhibitions and publications typically represent the definitive intervention on the artists and objects they investigate. BGC Gallery is also committed to generating and supporting a vast range of diverse presentations, small and large, that challenge traditional approaches to object inquiry; these examinations of material culture explore the human experience as manifest in our creation and use of “things” of all kinds. Whether originating in internal research and expertise, or in collaboration with external subject specialists, these endeavors prioritize rigorous scholarship while seeking to adhere to the field’s highest standards in production and design.



A.W.N. Pugin: Master of Gothic Revival was the first American retrospective dedicated to showcasing the work of the innovative English designer and architect Augustus Welby Northmore Pugin.

Although he lived to just 40, Pugin’s prolific body of design work included ecclesiastical and secular buildings, furniture, woodwork, metalwork, jewelry, textiles, wallpaper, ceramics, stained-glass windows, and books. Best known as the interior designer of the Palace of Westminster, he was also the single most influential artist in defining the 19th century Gothic Revival in England.

The exhibition was divided into five sections revealing Pugin’s incomparable role as an innovator in the Gothic Revival style. Its first section examined the pre-Pugin Gothic Revival in England, highlighting such monuments as Strawberry Hill House, the home of Horace Walpole. Others explored Pugin’s work ranging from ecclesiastical design to his work on the Houses of Parliament with architect Charles Barry. The exhibition’s later rooms were devoted to Pugin’s domestic commissions–most notably The Grange, his own residence–and his last great work, the Medieval Court at the Great Exhibition of 1851. This final section featured one of the most important highlights of the seminal Great Exhibition–a Cabinet designed by Pugin and manufactured by George Myers that epitomized the finest quality carving and cleverly adapted the form of its medieval prototype for modern use.

On view at Bard Graduate Center from November 9, 1995–February 25, 1996, A.W.N. Pugin: Master of Gothic Revival was curated by Paul Atterbury.
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