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BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

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Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
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BGC Gallery reopens this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.

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The Bard Graduate Center Gallery produces multiple exhibitions and publications each year, serving as a vital center of learning and a catalyst for engagement in the interrelated disciplines of decorative arts, design, and material culture. The gallery is celebrated in the museum world for its longstanding legacy of landmark projects dedicated to significant—yet often understudied—figures and movements in the history of decorative arts and design; these exhibitions and publications typically represent the definitive intervention on the artists and objects they investigate. BGC Gallery is also committed to generating and supporting a vast range of diverse presentations, small and large, that challenge traditional approaches to object inquiry; these examinations of material culture explore the human experience as manifest in our creation and use of “things” of all kinds. Whether originating in internal research and expertise, or in collaboration with external subject specialists, these endeavors prioritize rigorous scholarship while seeking to adhere to the field’s highest standards in production and design.



Hats: An Anthology by Stephen Jones—a collaboration between the Victoria and Albert Museum in London and Stephen Jones, the world’s foremost hat designer—was at the Bard Graduate Center (BGC) in New York City from September 15, 2011 to April 15, 2012. It was the first venue in this country. The exhibition, which had over 100,000 visitors at the V&A, displayed more than 250 hats chosen with the expert eye of the master milliner.

On display were hats ranging from a twelfth-century Egyptian fez to a 1950s Balenciaga hat and couture creations by Jones and his contemporaries. To show the universal appeal of wearing hats, Jones chose a wide variety of styles such as motorcycle helmets, turbans, berets, and a child’s plastic tiara. There also were hats worn by celebrities such as Madonna, Brad Pitt and Keira Knightley. For the special exhibition at the BGC, the curators arranged for loans particularly relevant to the United States, including Babe Ruth’s baseball cap, Mouseketeer ears, Estee Lauder’s turban, Halston bunny ears worn by Candace Bergen to Truman Capote’s Black & White Ball, and the top hat worn by President Franklin Roosevelt to his fourth inauguration. There was also a display of work by contemporary New York milliners: Ellen Christine, Rod Keenan, Eugenia Kim, Lola, Jennifer Ouellette, Albertus Swanepoel, and Patricia Underwood.

Stephen Jones spearheaded the fashionable revival of British millinery in the early 1980s. Using unusual materials and daring designs, his exquisitely crafted hats have pushed the boundaries of hat design forward for more than three decades. Jones has collaborated with many leading fashion designers including Marc Jacobs, Comme des Garçons, and Christian Dior. He has worked with many celebrity clients including Diana, Princess of Wales, Dita von Teese, Mick Jagger, and Rihanna, and has made hats for the films Atonement, Elizabeth: The Golden Age, Coco avant Chanel, and W.E.


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Credits
Curated by Oriole Cullen and Stephen Jones. Organized by the Victoria and Albert Museum, London.