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Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire! Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

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28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
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Wednesdays @ BGC
Join us this spring for weekly programming!





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BGC Gallery reopens this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.

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The Bard Graduate Center Gallery produces multiple exhibitions and publications each year, serving as a vital center of learning and a catalyst for engagement in the interrelated disciplines of decorative arts, design, and material culture. The gallery is celebrated in the museum world for its longstanding legacy of landmark projects dedicated to significant—yet often understudied—figures and movements in the history of decorative arts and design; these exhibitions and publications typically represent the definitive intervention on the artists and objects they investigate. BGC Gallery is also committed to generating and supporting a vast range of diverse presentations, small and large, that challenge traditional approaches to object inquiry; these examinations of material culture explore the human experience as manifest in our creation and use of “things” of all kinds. Whether originating in internal research and expertise, or in collaboration with external subject specialists, these endeavors prioritize rigorous scholarship while seeking to adhere to the field’s highest standards in production and design.



“An expansion of Tuttle’s long-standing practice of juxtaposing incongruous elements in a way that highlights the precariousness of beauty and meaning.”


– Will Heinrich, The New York Times

Explore the meaning of objects through the eyes of celebrated contemporary American artist Richard Tuttle, an inveterate collector whose taste is eclectic and very personal. Part exhibition, part artwork, Richard Tuttle: What Is the Object? invites visitors to view, pick up, and hold 75 items drawn from Tuttle’s own collection, ranging from metal work and decorative sculptures to vintage fabrics and antique curios. An index card created by Tuttle accompanies each object, outlining his original encounter with it, how it entered his collection, and his thoughts about it. The exhibition also features a series of nine never-before-seen works by Tuttle along with sculptural furniture he designed to display his objects.


Online Exhibition
Highlights
Catalogue
Credits
Support for Richard Tuttle: What Is the Object? has been generously provided by Agnes Gund with additional support from David Kordansky Gallery, Scully Peretsman Foundation, and Peter Freeman and Lluïsa Sàrries Zgonc, as well as donors to Bard Graduate Center.

Support for the publication has been provided by


pacegallery.com

Photograph by Bruce M. White, 2021