Max Weber’s classic construction of Protestantism in his The Protestant Ethic and the Spirit of Capitalism (1904/1922) was as a form of group identity, homogenous across geographic distance, that joined individuals in a distinctive psychological orientation to the material world and which produced a culture that was essentially verbal and anti-material. Hostile to the sensual aspects of visual representation, it had at its heart simplicity, clarity and plainness, an asceticism that governed every aspect of life. Subsequent scholarship has complicated this monolithic notion of Protestant identity by concentrating on continuities as well as the ruptures with Catholic tradition as the relationships between the material and the spiritual were reconfigured; it has also drawn attention to the unevenness of religious change as well as the heterogeneous character of different Protestant communities across northern Europe.
The aim of this conference is to revisit questions of Protestant identity from the perspective of a specifically material history of the Reformation. It will examine Protestant attitudes to the material aspects of the ecclesiastical, civic and domestic spheres for the light they can shed on the changing nature of religious experience and on the broad social and cultural changes brought about by the Reformation. It will address themes of iconoclasm and the consequent new forms of public worship; the effects of evangelical beliefs upon the forms and materials of artistic productions; their effect upon the character and rituals of religious, civic and domestic life; upon public institutions and domestic spaces, personal possessions, habits of dress and adornment; and more broadly, the material dimensions of identifiably Protestant attitudes to the written word and the book, natural philosophy, ethics, and history.
Peter N. Miller
Dean and Professor, Bard Graduate Center
Welcome
Andrew Morrall
Bard Graduate Center
Introduction
Session 1: Establishing Difference
Jeffrey Chipps Smith
Art and Art History, University of Texas at Austin
Peter Dell the Elder’s Experiments in Early Lutheran Sculpture
Birgit Ulricke Münch
Art History, University of Trier
A Protestant Crisis of Visualization? Re-Establishing the Character of the
Eucharist without a Real Presence
Ulinka Rublack
History, University of Cambridge
Treasure, Comportment and Confession at the Imperial Diet of 1530
Session 2: Establishing Identity: The Community of Believers
Thomas Eser
Chief Curator, Scientific Instruments and History of Medicine, Weapons and
Hunting Culture, Germanisches Nationalmuseum, Nuremberg
Exhibiting 1517 in 2017: Choosing the Materials to Explain the Reformation
in the 21st Century: A Report
Bridget Heal
History, University of St Andrews
Art and Identity in Lutheran Germany
Evelin Wetter
Curator, Abegg-Stiftung, Ch-Riggisberg
“The difference we shall know…”: The Use of Catholic Liturgical Vestments
in Transylvanian Lutheran Churches: Contemporary Justifications and Material
Evidence
Session 3: Establishing Identity: The Individual and the Home
Tara Hamling
History, University of
Birmingham
Beyond Iconophobia: “Decorative” Art and Protestant Visuality in
Post-Reformation England
Andrew Morrall
Bard Graduate Center
“The world was all before them…” Decoration, Identity and the Idea of
Providence in the Protestant Home
This event is supported by a grant from the Samuel H. Kress Foundation.
