About
Upcoming Exhibitions
BGC Gallery will resume its exhibition programming this September with the return of Sèvres Extraordinaire: Sculpture from 1740 until Today, originally slated for fall 2024.
Bard Graduate Center is an advanced graduate research institute in New York City dedicated to the cultural histories of the material world. Our MA and PhD degree programs, Gallery exhibitions, research initiatives, scholarly publications and public programs explore new ways of thinking about decorative arts, design history, and material culture.

About
28th Annual Iris Foundation Awards
Honoring Irene Roosevelt Aitken, Dr. Julius Bryant, Dr. Meredith Martin, and Katherine Purcell
Events
Wednesdays @ BGC
Join us this spring for weekly programming!





About

Bard Graduate Center is devoted to the study of decorative arts, design history, and material culture through research, advanced degrees, exhibitions, publications, and events.


Bard Graduate Center advances the study of decorative arts, design history, and material culture through its object-centered approach to teaching, research, exhibitions, publications, and events.

At BGC, we study the human past and present through their material expressions. We focus on objects and other material forms—from those valued for their aesthetic elements to the ordinary things used in everyday life.

Our accomplished interdisciplinary faculty inspires and prepares students in our MA and PhD programs for successful careers in academia, museums, and the private sector. We bring equal intellectual rigor to our acclaimed exhibitions, award-winning catalogues and scholarly publications, and innovative public programs, and we view all of these integrated elements as vital to our curriculum.

BGC’s campus comprises a state-of-the-art academic programs building at 38 West 86th Street, a gallery at 18 West 86th Street, and a residence hall at 410 West 58th Street. A new collection study center will open at 8 West 86th Street in 2026.

Founded by Dr. Susan Weber in 1993, Bard Graduate Center has become the preeminent institute for academic research and exhibition of decorative arts, design history, and material culture. BGC is an accredited unit of Bard College and a member of the Association of Research Institutes in Art History (ARIAH).



Interview with Uthara Suvrathan—Visiting Fellow

Uthara Suvrathan’s research draws on both archaeological and textual material to examine the organization of polities and places on the margins of large socio-political systems and empires in South Asia. She is also involved in collaborative projects aimed at preserving the archaeological heritage in South India and the sharing of archaeological data between scholars working in the region. Working with colleagues in India and the United States, these projects involve the documentation and preservation of previously unrecorded historic inscriptions, as well as the creation of a shareable database recording archaeological site information collected by scholars working across South Asia. Her publications include “Spoiled for Choice?: The Sacred Landscapes of Ancient and Early Medieval Banavasi” in South Asian Studies (Vol. 30.2, 2014) and “Regional Centres and Local Elite: Studying Peripheral Cores in Peninsular India” in Indian History (The Annual Journal of the Archive India Institute, Vol. 1, 2014). She received her PhD from the University of Michigan. At Bard Graduate Center, Suvrathan is completing her book manuscript entitled Persistent Peripheries: Archaeological and Historical Landscapes of an Early City in South India, 3rd c. BCE–18th c. CE.

Tell us about your academic background and how you became interested in your research area.

As a child I travelled widely in India and was fascinated by the richness of its history. I was especially drawn to the materiality of the past —to the things and places that people left behind. Relatively few of the larger universities in India offer archaeology as an independent subject of study and I decided to major in history, while independently reading about archaeology. Fast forward a few years and I volunteered at an archaeological excavation in south India. That decided it! I realized that I loved the scientific rigor and interdisciplinarity of archaeology, not to mention the hands-on nature and immediacy of excavation. I moved to Michigan for grad school in anthropology (archaeology) but with a focus on South Asia so that my research takes me back to India for months at a time every year.

What attracted you to the Bard Graduate Center fellowship?

I recently moved to the New York City area and colleagues highly recommended Bard for its wide ranging interest in material culture. Looking through the programs and faculty here, I was very attracted by the interdisciplinary interest in the material world and thought it would be an invigorating place to write.

What will be the focus and result of your research here?

I am working on a book manuscript based on my doctoral and post-doctoral research in India, where I study the margins of ancient empires. I plan to complete two major chapters by the time I leave. In addition, I am finishing up a couple of articles (on crowdsourcing and public engagement in archaeology).

What are you goals after the fellowship?

My immediate goal is to finish my book! Ideally, I would like to continue and expand on my research into the margins of ancient states at an institution that allows me to teach archaeology and work closely with students.

What would be your advice to young researchers/students still trying to decide a career path for themselves, whether in academia or in musems?

Diversify! Try to be as interdisciplinary as you can. Pick up a variety of skills along the way, whether through volunteering or internships or taking a range of courses. Not only will you cultivate professional contacts (who might nudge you in the direction of a job down the line) but academia and museum work is increasingly competitive and you might be required to play multiple roles.